COMPADRES (2007)

COMPADRES

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Credits

COMPACT DISC LINER COPY       Marty Stuart     Compadres             B0007376-02

 

INLAY TRAY CARD:

 

1.  Farmer’s Blues (Performed with Merle Haggard)

  1. Doin’ My Time (Performed with Johnny Cash)
  2. Rawhide (Performed with Lester Flatt and the Nashville Grass)
  3. The Whiskey Ain’t Workin’ (Performed with Travis Tritt)
  4. Will You Visit Me On Sunday (Performed with Loretta Lynn)
  5. Crying, Waiting, Hoping (Performed with Steve Earle)
  6. Mr. John Henry, The Steel Driving Man (Performed with Earl Scruggs)
  7. Hearts Like Ours (Performed with Connie Smith)
  8. The Weight (Performed with The Staple Singers)
  9. One Woman Man (Performed with George Jones)
  10. Confessin’ The Blues (Performed with B.B. King)
  11. Same Old Train (Performed with Clint Black, Joe Diffie, Merle Haggard,

      Emmylou Harris, Alison Krauss, Patty Loveless, Ricky Skaggs, Earl Scruggs, Pam Tillis,

      Randy Travis, Travis Tritt, Dwight Yoakam)

  1. I Can See For Miles (Performed with His Fabulous Superlatives and The Old

      Crow Medicine Show)

  1. Let Us Travel, Travel On (Performed with Del McCoury)
  2. Move Along Train (Performed with His Fabulous Superlatives and Miss Mavis

      Staples)

 

Produced by Mary Stuart

 

(Universal Records South logo)

(Superlatone Records logo)

(FBI Warning)

 

Bar code w/# 602517045163

 

© & (P) 2006 Universal Records South, LLC 40 Music Square West, Nashville, TN  37203.  Distributed by Universal Music Distribution.  WARNING:  All rights reserved.  Unauthorized duplication is a violation of applicable laws.

 

**SPINE OF INLAY:

B0007376-02        Marty Stuart          Compadres           Universal Records South

 

COMPACT DISC BOOKLET:

 

FRONT COVER:

Marty Stuart         

Compadres

 

BACK PAGE OF BOOKLET:

 

B0007376-02

© 2006 Universal Records South, LLC

(Universal Records South logo)

(Superlatone Records logo)

 

INSIDE PAGES OF BOOKLET:

 

1.  Farmer’s Blues (Performed with Merle Haggard)

Written by Marty Stuart and Connie Smith

From the Columbia album “Country Music” [2003]

Produced by Marty Stuart and Justin Niebank

Executive Producer:  Blake Chancey

Recorded and mixed by Justin Niebank at Sound Kitchen (Franklin, TN) Assisted by Drew Bollman

Mastered by Jim DeMain at Yes Master! (Nashville, TN)

Production Coordinator:  Maria-Elena Orbea

 

Marty Stuart – Electric Guitar, Acoustic Guitar and Mandolin; Harry Stinson – Drums; Kenny Vaughan – Electric Guitar; Michael Rhodes – Bass; Tony Harrell – B3; Robby Turner – Steel Guitar; Stuart Duncan – Fiddle

(p) 2003 Columbia

 

  1. Doin’ My Time (Performed with Johnny Cash)

Written by Jimmie Skinner

From the MCA album “This One's Gonna Hurt You” [1992 – Platinum Record]

 

Produced by Richard Bennett and Tony Brown

Associate Producer:  Marty Stuart

Recorded by Warren Peterson and Rocky Schnarrs at Big Javelina Studios (Nashville, TN)   

Overdubs recorded by Rocky Schnaars, Warren Peterson and Steve Tillisch at Woodland Studios, Recording Arts Studios, Little Javelina Studios, Masterfonics and Sound Stage Studios

Editing by Carlos Grier

Mixed by Justin Niebank at Masterfonics (Nashville, TN) and Woodland Studio (Nashville, TN)

Mastered by Denny Purcell at Georgetown Masters (Nashville, TN)

Production Coordinator: Jessie Noble

 

Marty Stuart – Electric Guitar; Johnny Cash – Acoustic Guitar; Richard Bennett – Acoustic and Steel Bars; Larry Marrs – Bass; Harry Stinson – Drums

 

(p) 1992 MCA Nashville

Courtesy of MCA Nashville under license from Universal Music Enterprises


  1. Rawhide (Performed with Lester Flatt and the Nashville Grass)

Written by Bill Monroe

From the RCA album “Lester Flatt Live!  Bluegrass Festival (3-18-74)” [1974]

 

Produced by Bob Ferguson

Recorded Live at Vanderbilt University (Nashville, TN)

Recorded and mixed by Chuck Seitz

Mastered by Hollis Flatt

 

Marty Stuart – Mandolin; Lester Flatt – Guitar; Johnny Montgomery – Bass; Kenny Ingram – Banjo; Paul Warren – Fiddle; Curly Sechler – Rhythm Guitar; Charlie Nixon – Dobro

 

(p) 1974 RCA


  1. The Whiskey Ain’t Workin’ (Performed with Travis Tritt)

Written by Marty Stuart and Ronny Scaife

From the Warner Bros. Records album “It's All About To Change” [1991]

CMA Vocal Event winner [1992]

Grammy Vocal Collaboration winner [1993]

 

Produced by Gregg Brown

Recorded by Chris Hammond at Omnisound (Nashville, TN)

Mixed by John Hampton at Arden Studios (Memphis, TN)

Mastered by Denny Purcell

 

Marty Stuart – Electric Guitar; Richard Bennett – Electric Guitar; Mike Brignardello – Bass; Larry Byrom – Acoustic Guitar; Terry Crisp – Steel Guitar; Stuart Duncan – Fiddle; Matt Rollings – Piano; Jim Ruggiere – Harmonica; Steve Turner – Drums; Billy Walker Jr. – Electric Guitar; Dennis Locorriere – Harmony Vocals; Tim Passmore – Harmony Vocals

 

(p) 1991 Warner Bros. Records Inc.

Produced Under License From Warner Bros. Records Inc.

 

  1. Will You Visit Me On Sunday (Performed with Loretta Lynn)

Written by Dallas Frazier

 

Produced by Marty Stuart

Recorded and mixed by Joey Turner at Omnisound (Nashville, TN) Assisted by Stoker White

Vocal overdubs recorded by Chuck Turner at the Cash Cabin (Hendersonville, TN) and Joey Turner at Omnisound (Nashville, TN)

Production Coordinator:  Maria-Elena Orbea

Mastered by Jim DeMain at Yes! Master (Nashville, TN)

 

Marty Stuart – Electric Guitar; Kenny Vaughan – Electric Guitar; Brian Glenn – Upright Bass; Harry Stinson – Drums and Vocals; Robby Turner – Steel Guitar; Hargus “Pig” Robbins – Piano

 

 

  1. Crying, Waiting, Hoping (Performed with Steve Earle)

Written by Buddy Holly

From the Decca album "notfadeaway" [1996]

 

Produced by Richard Bennett

Executive Producers: Bruce Hinton, Mark Wright and Frank Liddell

Recorded by Peter Coleman at Treasure Isle Studios (Nashville, TN) Assisted by Dan Leffler

Mixed by Peter Coleman at Treasure Isle Studios (Nashville, TN)          

Mastered by Denny Purcell and digitally edited by Don Cobb and Carlos Grier at Georgetown Masters (Nashville, TN)

Production Coordinator: Travis Hill

 

Marty Stuart – Slide Guitar, Acoustic and Electric Guitars; Steve Earle – Harmonica and High String Acoustic Guitar; Steve Arnold – Bass; Richard Bennett – Electric Guitar; Gregg Stocki – Drums

 

(p) 1996 Geffen Records

Courtesy of Geffen Records under license from Universal Music Enterprises

 

  1. Mr. John Henry, The Steel Driving Man (Performed with Earl Scruggs)

Written by Marty Stuart and Earl Scruggs

Grammy nominated song from the MCA album “The Pilgrim” [1999]

 

Produced by Marty Stuart

Executive Producer: Tony Brown

Recorded by Jamie Tate at Abtrax Recording (Nashville, TN) Assisted by Matt Spicher

Mixed by Jamie Tate at Abtrax Recording (Nashville, TN)

Mastered by Hank Williams at MasterMix (Nashville, TN)

Production Coordinator: Jessie Noble

 

Marty Stuart – Mandolin; Earl Scruggs – Banjo

 

(p) 1999 MCA Nashville

Courtesy of MCA Nashville under license from Universal Music Enterprises


  1. Hearts Like Ours (Performed with Connie Smith)

Written by Marty Stuart and Connie Smith

From the Warner Bros. Records album “Connie Smith” [1998]

 

Produced by Marty Stuart and Justin Niebank

Recorded by Justin Niebank at The Sound Emporium (Nashville, TN)

Additional recording at Hound's Ear Assisted by Ken Hutton

Mixed by Justin Niebank at Masterfonics (Nashville, TN), Hound's Ear and The Sound Emporium (Nashville, TN)

Mastered by Glenn Meadows at Masterfonics (Nashville, TN)

Marty Stuart vocals recorded and mixed by Justin Niebank and Drew Bollman at Blackbird Studios (Nashville, TN)

Re-mastered by Jim DeMain at Yes! Master (Nashville, TN)

 

Michael Rhodes – Bass; Gary Hogue – Steel Guitar; Stuart Duncan – Fiddle; Steve Turner – Drums; Biff Watson – Guitar; Stuart Smith – Electric Guitar; Larry Marrs – Background Vocals

 

(p) 1998 Warner Bros. Records Inc.

Produced Under License From Warner Bros. Records Inc.

 

  1. The Weight (Performed with The Staple Singers)

Written by Jamie Robbie Robertson

From the MCA album “Rhythm, Country & Blues” [1994 – Gold Record]

 

Produced by Don Was

Executive Producers:  Al Teller, Kathy Nelson and Tony Brown

Recorded by Chuck Ainley at The Sound Emporium (Nashville, TN) Assisted by Graham Lewis

Overdubs recorded by Gene Eichelberger

Mixed by Bob Clearmountain at A&M Recording (Hollywood, CA) and Mix This! (Pacific Palisades, CA) Assisted by Brian Scheuble, Chad Munsey and Mick Patterson

Mastered by Doug Sax at The Mastering Lab (Hollywood, CA) 

Production Coordinators: Christine Edwards, Jessie Noble and Carrie McConkey for the Marsha Burns Co.

 

Kenny Aronoff – Drums; Barry Beckett – Piano; Don Potter – Acoustic Guitar; Steven Nathan – Keyboards; Robby Turner – Steel Guitar; Willie Weeks – Bass; Reggie Young – Electric Guitar

 

(p) 1994 MCA Nashville

Courtesy of MCA Nashville under license from Universal Music Enterprises

 

  1. One Woman Man (Performed with George Jones)

Written by Tillman Franks and Johnny Horton

From the MCA album “Bradley Barn Sessions” [1994]

 

Produced by Brian Ahern

Executive Producer: Tony Brown

Recorded by Chuck Ainlay and Donivan Cowart in the Enactron Truck at Bradley's Barn (Mount Juliet, TN) Assisted by Graham Lewis, Martin Cowart and Doug Beale

Mixed by John Kelton with Mark Nevers and Tony Collins at The Castle

Mastered by Doug Sax at The Mastering Lab

           

Marty Stuart – Electric Guitar and Slide; Glenn Worf – Acoustic Bass; Ricky Skaggs – Fiddle and Harmony Vocals; Eddie Bayers – Drums; Mac McAnally – Acoustic Slide Guitar; Brian Ahern –

Rhythm Electric Guitar; Hargus “Pig” Robbins – Piano; Richard Bennett – Acoustic Guitar; Jerry Douglas – Dobro; Bullfrogs – Brian Ahern’s Pool

 

(p) 1994 MCA Nashville

Courtesy of MCA Nashville under license from Universal Music Enterprises


  1. Confessin’ The Blues (Performed with B.B. King)

Written by Jay McShann and Walter Brown

From the MCA album “Deuces Wild” [1997]

 

Produced by John Porter

Executive Producer: Sidney A. Seidenberg for Sasco Productions Inc.

Recorded by Joe McGrath at Ocean Way Recording (Hollywood, CA)  

Additional engineering by Steve Holroyd and Ron Black

Assistant engineers: Joe Brewer, Gabe Chiesa, Mike Dy, Matt Gregory, Dino Johnson, Aaron Lepley, Barbara Lipke, A. Mixdorf, John Nelson, Jay Reynolds, John Sorenson and Aya Takemura 

Digital editing by John Porter    

Mixed by Joe McGrath at Sound Castle Studios (Silverlake, CA)

Mastered by Bernie Grundman at Bernie Grundman Mastering (Hollywood, CA)

 

Marty Stuart – Guitar; B.B. King – Guitar; Billy Payne – Keyboards; Tommy Eyre – Hammond B-3; "Hutch" Hutchinson – Bass; Jim Keltner – Drums

 

(p) 1997 Geffen Records

Courtesy of Geffen Records under license from Universal Music Enterprises


  1. Same Old Train (Performed with Clint Black, Joe Diffie, Merle Haggard,

      Emmylou Harris, Alison Krauss, Patty Loveless, Ricky Skaggs, Earl Scruggs, Pam Tillis,

      Randy Travis, Travis Tritt, Dwight Yoakam)

Written by Marty Stuart

From the Columbia album “Tribute To Tradition” [1998]

Grammy winner for Best Country Collaboration [1999]

 

Produced by Marty Stuart

Executive Producers:  Margie Hunt and Mike Kraski

Recorded by Jamie Tate at Abtrax Studio (Nashville, TN) Assisted by Jerry Abbott

Additional recording by Nick Brophy at Rondor Studios (Los Angeles, CA), Mark Harvey at Mad Dog Studio (Burbank, CA), Pam Erwin at ASC Sumet Studios (Dallas, TX)

Mixed by Jamie Tate at Abtrax Studio (Nashville, TN)              

Mastered by Denny Purcell Assisted by Jonathan Russell

Digitally edited by Don Cobb and Carlos Grier at Georgetown Masters (Nashville, TN)

Production Coordinator: Maria-Elena Orbea

 

Marty Stuart – Lead Acoustic Guitar, Electric Guitar and Mandolin; Gregg Stocki – Drums; Jerry Abbott – Piano; Steve Arnold – Bass; Bob Burns – Bowed Bass; Jerry Douglas – Dobro; Stuart Duncan – Viola and Fiddle; Gary Hogue – Steel Guitar; Glen Duncan – Fiddle; Earl Scruggs – Banjo; Ernie Sykes – Upright Bass; Brad Davis – Acoustic Guitar

 

(p) 1998 Columbia ??

 

  1. I Can See For Miles (Performed with His Fabulous Superlatives and The Old

      Crow Medicine Show)

Written by Peter Townshend

 

Produced by Marty Stuart

Recorded and mixed by Chuck Turner at the Cash Cabin (Hendersonville, TN)

Production Coordinator: Maria-Elena Orbea

Mastered by Jim DeMain at Yes! Master (Nashville, TN)

 

Marty Stuart – Mandolin; Kenny Vaughan – Acoustic Guitar; Brian Glenn – Bass; Harry Stinson – Drums and Vocals; Ketch Secor – Fiddle; Willie Watson – Acoustic Guitar and Vocals; Morgan Jahnig – Upright Bass; Kevin Hayes – Banjo; Critter Fuqua – Banjo

 

Old Crow Medicine Show appears courtesy of Nettwerk Records

 

  1. Let Us Travel, Travel On (Performed with Del McCoury)

Written by Ira Louvin and Charlie Louvin

From the Universal South album “Livin', Lovin', Losin': Songs Of The Louvin Brothers” [2003]

Recorded Event of the Year by the IBMA [2004]

 

Produced by Carl Jackson

Executive Producers: Carl Jackson & Kathy Louvin

Recorded by Luke Wooten at Station West (Nashville, TN) Assisted by Richard Pimsner

Mastered by Hank Williams at MasterMix (Nashville, TN)       

 

Marty Stuart – Mandolin; Mike Bub – Bass; Del McCoury – Acoustic Guitar

 

  1. Move Along Train (Performed with His Fabulous Superlatives and Miss Mavis

      Staples)

Written by Roebuck Staples

From the Superlatone album “Souls' Chapel” [2005]

Produced by Marty Stuart

Recorded by Chuck Turner at The Ark (Hendersonville, TN) Assisted by Mark "Hank" Petaccia

Mixed by Chuck Turner at the Cash Cabin (Hendersonville, TN)

Mastered by Jim DeMain at Yes Master! (Nashville, TN)

Production Coordinator: Maria-Elena Orbea

Marty Stuart – Acoustic, Electric Guitar and Vocals; Kenny Vaughan – Electric Guitar; Chad Cromwell – Drums; Michael Rhodes – Bass; Barry Beckett – B-3; Harry Stinson – Vocals; Brian Glenn – Vocals; Mavis Staples – Vocals

I regard the people on these recording as towering oaks whose roots spring forth from the ancient boundary marks and cast long shadows.  They are America’s sons and daughters; timeless messengers from a vanishing race.

Marty Stuart

At the end of the day, everyone needs a chief compadre.  With honor to you, Manuel.

Marty

Mastered by Jim DeMain at Yes! Master (Nashville, TN)

Management:  Marc Dottore, Universal South Artists

Booking:  Monterey Peninsula Artists/Paradigm

Legal:  Rusty Jones

www.universal-south.com

www.martystuart.net

Cover Art: Laura B. Allen

Design:  Marty Stuart, Karen Cronin

Marty Stuart wishes to thank Sheryl Gold, Rhonda Malmlund, Van Fletcher, the Universal Records South family, Rusty Jones, Jason Carter, Thomas B. Allen, Patsy Villalobos and the staff at Chromatics and a very special thanks to Connie Smith, Patsy Lynn Russell, Nancy Russell, Bill Thorup, William Smithson and Jim DeMain.

COMPACT DISC LABEL COPY     

Marty Stuart      

Compadres

1.  Farmer’s Blues (Performed with Merle Haggard)

  1. Doin’ My Time (Performed with Johnny Cash)
  2. Rawhide (Performed with Lester Flatt and the Nashville Grass)
  3. The Whiskey Ain’t Workin’ (Performed with Travis Tritt)
  4. Will You Visit Me On Sunday (Performed with Loretta Lynn)
  5. Crying, Waiting, Hoping (Performed with Steve Earle)
  6. Mr. John Henry, The Steel Driving Man (Performed with Earl Scruggs)
  7. Hearts Like Ours (Performed with Connie Smith)
  8. The Weight (Performed with The Staple Singers)
  9. One Woman Man (Performed with George Jones)
  10. Confessin’ The Blues (Performed with B.B. King)
  11. Same Old Train (Performed with Clint Black, Joe Diffie, Merle Haggard,

      Emmylou Harris, Alison Krauss, Patty Loveless, Ricky Skaggs, Earl Scruggs, Pam Tillis,

      Randy Travis, Travis Tritt, Dwight Yoakam)

  1. I Can See For Miles (Performed with His Fabulous Superlatives and The Old

      Crow Medicine Show)

  1. Let Us Travel, Travel On (Performed with Del McCoury)
  2. Move Along Train (Performed with His Fabulous Superlatives and Miss Mavis

      Staples)

Produced by Mary Stuart

B0007376-02

© & (P) 2006 Universal Records South, LLC 40 Music Square West, Nashville, TN  37203.  Distributed by Universal Music Distribution.  FBI Anti-Piracy Warning:  Unauthorized copying is punishable under federal law.